FL Studio has a strong and vocal fanbase - one that propelled it to another victory in our vote to find last year.The software may be easy to pick up if you're a music production novice, but there are plenty of power features on offer, too. Here are 20 tips for getting more out of Image-Line's fruity beast. Database freedomThe plugin database is comprised of just a couple of folders on your hard drive, so you can add, move, rename, and copy entries just using Windows Explorer. They’re only presets, and you can save over them to define your new favourite load-state. You can nest folders in folders, too.2.
Ride the DirectWaveConsolidate your sound by resampling! In FL Studio 12.5 and later, you can right-click channels and use Create DirectWave instrument - even with huge sample libraries - to cut them down to size for the road or when sharing projects. Lightbulb momentFinding the perfect loop points in a sustained sample can be tricky, but Edison makes it a snap. Make a selection, then press Alt+L to create loop points and Ctrl+L to bring up the Tune Loop options.
It must be Love FilterFruity Love Philter can be used as an envelope-based ‘sidechain’ effect. Select Vol and Pat to draw your own shapes, and check the Sidechain Low Frequency preset for inspiration.5. Convolution revolutionFL’s Fruity Convolver isn’t just for reverb! You’re not restricted to using traditional ‘sampled spaces’ - load regular samples from instruments, loops, and dialogue into Fruity Convolver to get weird and unexpected special effects unavailable anywhere else. Fruit of the zoomRight-click and drag anywhere in the scrollbar track to horizontally zoom in the Playlist, Piano Roll and event Editor - drag up to zoom in and down to zoom out. Send it onFruity Send enables you to route signals from anywhere in the FX chain.
Audio sent via Fruity Send will continue to be routed to the target track even if you mute the source track (unlike routing in the mixer). This can also be useful for isolating the send channel. Easy on the eyeA picture is worth a thousand words. Right-click an empty mixer slot to instantly open the Plug-in Picker in all its graphical glory. Much nicer than staring at a long list of plugin names! Declick and correctWhen chopping audio clips in the playlist, you might find that you need to apply short volume fades between them. Double-click a clip to bring up its channel settings.
Choose Declicking: Transient, Generic, Smooth or Crossfade for increasing lengths of fade. Zoom in to see a visual representation of the fade. Spiritual awakeningGhost notes can be useful for humanising performances, and they’re especially effective in snare drum patterns.
In the Piano roll, go to Menu Helpers Editable Ghosts to enable moving and editing of ghost notes. It’s almost spooky how this can bring a dead performance back to life! Instant accessIf you need to edit an instrument’s sound while working in the piano roll, simply right-click the plugin name in the title bar to open its interface. Easy conversionWhen you’ve created a Piano Roll sequence you like and you want to convert it to a pattern, all you need do is select Tools Dump score to selected pattern.13. More mixerDon’t overlook the Mixer’s various view options - some are quite useful!
For example, the Extra Large Mixer view can show you all the plugins on all mixer tracks at once with direct access to their context menus. Access them by clicking the downward arrow in the title bar in the upper-left of the Mixer. Picker powerUse the Picker Panel to easily send all of the instruments in a pattern to the Playlist in a single motion.
Star wars battlefront 2 2005 demo download. Right-click the clips in the Picker, select Split by channel, then drag the group to the Playlist. Resize mattersIn FL Studio 12.5 and later, use the Tools Macros Unlock all Playlist tracks from content Also resize all playlist tracks to default size command to resize all Playlist tracks to 100%.
No messingKeep your playlist tidy by clearing out any unused junk. Hop into Playlist Options, then right-click Picker Panel Icons. Choose Select Unused Patterns, Audio or Automation. Patch and goPatcherize everything! Put your frequently used effects chains (or instrument and effects chains) in Patcher presets for quick reuse in any project; and use Control Surface to make custom interfaces for the frequently used controls. Start as you mean to go onGet the jump on new projects by creating and saving your own personal project templates. Make more than one!
For example, you could create separate prefab templates for beat production, mixing stems and songwriting sketchpads. Visual aidsFL Studio provides loads of tools to help you visualise your signals, and you can set them up for easy access. To add spectrograms, oscilloscopes, special dB meters and other visualisers to the C (Current mixer track), click C to select. Now your analysers will switch to visualising the selected mixer track’s audio output.
RTFMRead the effin’ manual! You needn’t slow the flow when you want info on the go. Press F1 to instantly access the FL Studio manual at any time. It’s context-dependent and will open at the page relevant to the last thing you selected in the DAW.
Table of Contents.How to Sample in FL StudioIn this tutorial, you’ll learn how to sample in FL Studio. Sampling is a process that can mean two different things:. To record parts of a piece played on a live instrument (or any sound for that matter).
To process and extract parts of a pre-recorded track, and creatively rearrange them into something differentNote: You must have FL Studio Producer Edition or higher to record audio and vocals.In both versions, creative sampling in and of itself can be considered it’s own art form.The first form of sampling in FL Studio involves recording sounds yourself. It can be a bit more technical, and may be better suited for professionals in a full-blown recording studio. Mic distance, placement, build quality, and spatial acoustics come into play here.
But don’t let that discourage you. Hobbyists alike can do it too, and still get great results.Super-star DJ Zedd is even rumored to have sampled an electric shaver and then used it to create one of his signature bass sounds. There are endless possibilities, especially when we have a great DAW like FL Studio to work with.The second form of sampling involves taking an entire track and breaking it into pieces.
Then, we take those pieces and reorganize them into something different or more interesting than the original track. Again, there is a ton of room for creativity in this version as well.
Let’s take a look at both ways to sample in FL Studio.Part 1: Recording Your Own SamplesRecording your own samples is just like! We can use many of the same steps from that tutorial here. I’ll be referring to that tutorial from time to time.We’re going to cover how to sample two different instruments. The first is an Ibanez Mikro electric guitar connected directly to my audio interface via 1/4″ balanced TRS cable. The second is a bongo I found in my living room, which will be sampled with my DVR200 mic.I’m aware that this mic and my bedroom are not exactly ideal for sampling and recording, but it can be done.
Usually, it’s not a matter of how much gear you have or how expensive your gear is, but how well you can work with what you do have. If Dario Rossi can tear it up and draw a crowd with old pots, buckets, and, you can too!Step 1: Sample Rate SettingsIn order to sample in FL Studio, you must use an ASIO driver. Make sure the sampling rate setting for your audio interface or ASIO driver matches FL Studio’s sample rate. You can check and make changes under Options → Audio Settings.Step 2: Set Up Instrument/Mic Mixer TrackAssuming you have an audio interface, mic, appropriate cables, and instruments, just route the input from your audio interface into a blank track. Analog Input 2 is my Ibanez Mikro guitar, and Analog Input 1 is my DVR200 mic.Rename your tracks so you don’t get confused! If you need help setting up your audio interface and ASIO driver, check out Step 2 in the tutorial on recording vocals.Step 3: Add Fruity Balance, Wave Candy, and Edison to Each TrackFruity Balance should come first (top), then WaveCandy (middle), and finally Edison (bottom).
Switch WaveCandy to the Peak meter preset. This will give you better visualization and control over the signals coming from your audio interface.Step 4: Adjust Instrument Input GainFor samples and vocals, the sweet spot is between -10 and -8 dBFS. Play your instrument as you would when sampling, and adjust the Fruity Balance gain knob until the peak level in the WaveCandy meter is roughly -10 to -8 dBFS. If your audio interface has a gain knob for each input, you can adjust that too if needed.Step 5: Start Sampling in EdisonOpen up Edison in one of the instrument Mixer tracks. First, make sure Edison’s sampling rate matches your audio interface. Right-click the sample rate to change it.
Then, set the Recording trigger thereshold by dragging the bar on the right. Make sure Record on input is selected, hit the Record button, and begin playing your instrument. Click the Record button again to stop recording. You should now see the sampled waveform in the Edison windowAbove we can see the 6th string on the guitar being sampled.
Edison will only begin recording if the input waveform amplitude exceeds the threshold you set.I suggest sampling a bunch of different sounds at once. This way, you can pick and choose which ones you want in the next step.Above, we can see the sample waveform from my bongo that Edison recorded through my mic. Remember, if you’re using a mic to sample in FL Studio, mute the mic Mixer track output to Master to avoid recording feedback from your monitors. Also make sure the room you’re in is as quiet as possible.Step 6: Choose the Best SamplesNext, we want to divide the sampled waveform into regions using the Autoslice tool in Edison.
This will automatically slice up your sampled audio into regions that you can easily select the best samples from and then export them from Edison.Click Autoslice, double-click the marker to select the sample you want to export, and then you can either save it as a 32 bit.wav file into your sample folder, or click Send to playlist as audio clip. You’ll also see it now has it’s own channel in the Channel rack. Now you can manipulate it as you would any other sample.
Part 2: Sampling Pieces of Another Track in FL StudioThe next part will cover importing another track and processing it with some of FL Studio’s plugins. We’ll chop it up in easy-to-manage parts at specific intervals that can then be rearranged to our liking.Step 1: Download and Import a Sample TrackYou’ll need to download a track to sample from first. Just be careful with what you do with the new track you make, because there’s a gray area that can lead to copyright infringement and possible legal trouble down the road. Once you have a track you’d like to use, just click and drag it from your file folder to the Playlist or into it Edison.
Step 2: Trim Off Side Noise in the Playlist or in EdisonSide noise is noise or silence at the beginning and end of our sample track. We need to get rid of it so that our timing and chopping will be accurate later on.In Edison, select the entire track waveform (Ctrl+A). Click the Trim side noise button.If you’re using Fruity Edition and don’t have Edison, you can do this manually in the Playlist by zooming in on the sample waveform. If you need a higher level of zoom, change. Use the Slice tool or move the clip start point to the side until the noise/silence is removed. Move the entire track to the beginning and then, export the entire track to.wav file using File → Export → Wave.
Re-import the trimmed track into the Playlist after this step.Step 3: Detect the Sample Track TempoWe need to determine the tempo of our track if we don’t already know what it is. There are a few ways to do this:. If it’s a popular song, run a Google search of the song name + “tempo”. In the Playlist, click the icon at the top left of the sample track waveform and click “detect tempo” so FL Studio can run an algorithm to tell you.
In Edison, right-click on the sample rate under the floppy disk icon, and click AutodetectIf you’re using the Playlist, make sure you detect the tempo of the side-noise-trimmed sample track, not the original one.The track in this example is Stayin’ Alive by the Bee Gees. According to Google, it’s tempo is 103 BPM. I later confirmed that by using FL Studio’s tempo detection algorithm in the Playlist.Step 3: Add Fruity Slicer to the Channel RackWe could use Slicex but Fruity Slicer is the most user friendly native sampling plugin, and available in all versions of FL Studio.
Add one to the Channel rack. Step 4: Import Sample Track into Fruity SlicerIf you trimmed side noise in the Playlist, click the Sample button and load the sample track from the folder on your computer.If you used Edison, drag the trimmed sample track waveform from Edison into Fruity Slicer with this button:FL Studio will automatically slice the track or loop according to an algorithm based on the location of the transients in the audio signal and dump the pieces into Fruity Slicer’s Piano roll.
We can see below that each MIDI key now has it’s own sample.We also ran into the Piano roll’s limit on the number of notes. The track is about 4 minutes long and contains hundreds of transients. If you run into this problem and need parts of a sample track that are unavailable due to that limitation, just select the part you want in Edison and then drag it over to Fruity Slicer, or trim in the Playlist and save the segment as it’s own file.Make sure you trim to the nearest beat to avoid chop timing issues down the road.
Then, re-import it into Fruity Slicer. Step 5: Fruity Slicer Functionality Re-slice Based on BeatsIf you don’t like the way Fruity Slicer chopped your track, you can re-slice everything with the Slicing button based on beats. This is where the side noise trim comes into play from earlier.
Make sure the sample sample track tempo matches the tempo in Fruity Slicer so the algorithm knows where to slice. Getting Rid of CracklingSometimes slicing will lead to pops. In this situation, use the ATT fader to increase the your sample attack times.
You can also click Zero-cross check slices under the Slicing button menu. This will ensure that all your of slices are at zero-cross points and will get rid of pops.Shift Pitch, Stretch, and Play to EndYou can shift the pitch and stretch your samples using the PS and TS faders in Fruity Slicer. This will apply a pitch shift or time stretch to all of your slices. Stretching takes the original sample tempo and increases or decreases it. This way, you can match your sample tempo with your overall track tempo.If you want the sample to continue playing as you hold it’s assigned key down, check the PLAY TO END circle at the bottom.More Cool StuffUnder Fruity Slicer’s Detailed Setting (the gear) → Miscellaneous functions (the wrench) you’ll find some other great settings to tweak.
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Change max polyphony to 1 to only play 1 sample at a time. The next sample will cut off the previous one as it’s being played. Turn on monophonic mode with the PLAY TO END button checked to create pitch and tempo slides between samples. You can also add delay and arpeggio here too. Get creative.Step 6: Arrange Slices in the Piano RollAlmost done! The last thing here is to identify a few slices that you like, and creatively arrange them in the Fruity Slicer Piano roll. I like to use my or Launchpad to get an idea of what sound right, and then translate that to notes in the Piano roll to make a pattern.
Your computer keyboard will work fine too, though.You could use something like this like any other Pattern in the Playlist. Here’s what the new loop sounds like. Uber groovy.Wrap Up: How to Sample in FL StudioWe covered a lot of ground in this tutorial on how to sample in FL Studio. Sampling can mean a few different things!
Fl Studio 12 Tutorial Edison Recording
The first part we covered deals with recording our own samples. In Part 2, we talked about how to sample from a track with Fruity Slicer. We covered how to prepare the sample track, split it into pieces, and use the plugin to create something interesting.I hope you learned something here, and thanks for reading. If you liked this 100% free FL Studio tutorial, let me know what else you’d like me to cover in the comments, on the Synaptic Sound Facebook page,.